Creating a make-shift tangka: In class on August 1 you'll get
a chance to see some examples of tangkas and to make preliminary plans
for the division of tasks as a team. On Monday, August 6, you'll get an
opportunity to work together with your teammates to finalize your tangka.
You can also find examples of tangkas by visiting the Art
of Tibet, links on the syllabus,
and a slide show
of make-shift Tangkas constructed by previous students. In order to
leave sufficient room for creativity and cultural expression, I'm defining
tangka for the purpose of this assignment very broadly as an artistic rendering
of your selected mild and/or fierce deities. You should feel free to select
images from existing portraits of deities that you are already familiar
with or to create your own. Some possibilities might include a collage,
montage, or overlay that represents your selected deity in a Tibetan style
setting. A good model for a tangka would be the
bhavachakra
(The Wheel of Existence) or you may prefer to focus on the deities
one is likely to encounter on a specific day described in the text. You
should feel free to take advantage of color photocopies, cutting and pasting,
scanning, computer based manipulation of images, etc.
Rewriting a selection from the text: You should select a few
paragraphs from the Tibetan Book of the Dead to rewrite in a manner
that will aid the deceased person in achieving liberation by recognizing
this deity as a natural exercise of one's own awareness, as an object of
the mind's own vision, an image of the deceased's own awareness,
or as having emerged from within one's own brain. You should feel free
to adapt the text as you feel appropriate or to create something even more
original than any single selection. The rewritten passage, though, should
work within the Tibetan philosophy of achieving liberation through the
recognition of deities as creations of our own minds (even if one or more
members of the group may personally disagree with this philosophy--remember
we're role playing in the interest of participant observation).
Showing, Reading and Explaining: In class on Wednesday, August
8 team members should display the tangka, read the revised passage, and
explain the tangka and revision to the class. I encourage and reward creativity
and performance in this aspect of the assignment.
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