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week 6 : 3 may
supplemental reading

A reminder that readings may be controversial or out of alignment with your world view. Disagreeing with a reading should prove at least as useful a learning process as reading one with which you agree. Determining why you disagree -- such as identifying flaws in logic or assumptions -- is an important component of critical thinking/analysis. It's a skill that comes only with practice (you can't learn it by reading about it).

Patterns of Hypertext

Mark Bernstein, ACM, Hypertext 98
Alpha order (not as introduced in article)
These are not all my cup of tea, but I believe that they provide a place to begin thinking about inherent structure and the differences between 'stucture' for usability and 'structure' for innovative narrative.
  • Counterpoint
    Two alternating voices
    Examples:
    Interstitial (means "something in-between")counterpoint is exemplied these days by ads - see MSNBC or mail.yahoo.com
  • Cycle
    The reader returns to a previously visited node and eventually departs along a new path; cycles create recurrance. A web ring, one form of cycle, links an entire hypertext in a tour of a subject. Reciprocal links (links between two or a handful of sites) would create a small cycle; you'll find this in some blogs.
    Examples:
    webring.com
  • Mirrorworld
    Provides a parallel narrative with different voice; there is a central theme
  • Missing Link
    Occurs when the hypertext suggests a link that does not exist
    Examples:
  • Montage
    Several distinct writing spaces appear simultaneously; once you enter one space, your access to the other spaces usually vanishes
    Examples:
    cyberartsweb.org
  • Navigational Feint
    Reveals navigational possibilities that may not be immediately pursued; the most common pattern in conventional "web sites"
    Examples:
    Any corporate site, news site, etc.
  • Neighborhood
    Association that is created through proximity, shared "ornament" or common navigational networks
  • Sieve
    Hypertext links that sort readers through layers of choice
    Examples:
    Yahoo.com, eBay
  • Split/Join
    Knits two or more sequences together; can consist of overview/tour or "Rashomon" pattern
    Examples:
    Non-hypertext examples might be mystery theatre where the audience decides who "done it" and the ending conforms with audience vote; in hypertext, this involves a complex node structure -- more commonly found in gaming software
  • Tangle
    Provides many links with no clear clues to guide choice
    Examples:
    David Siegel (intentional tangle); old Oxo (unintentional tangle) versus oxo.com (now Navigational Feint); Hypertext Syntagmas: Cinematic Narration with Links; Uncle Roger
 
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© Kathy E. Gill
Tue 26-Apr-2005 22:56
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