MEDIEVAL TO RENAISSANCE IN ITALIAN ART
Medieval
Architecture: Early Christian Basilica (St. Peter’s,
Romanesque (
Gothic Cathedrals:
RENAISSANCE
Art History: early accounts
16th C Giorgio Vasari, Lives of the Artists 1550
starts with Giotto, late 13th C ends with
Michaelangelo seen as culmination of Renaissance art
16th C Giorgio Vasari,
Lives of the Artists 1550
starts with Giotto, late 13th C ends with
Michaelangelo, culmination of Ren art
19th C Jakob Burckhardt, Swiss art historian,,
Civilization of the Renaissance in Italy 1860
Renaissance era: “discovery of the world and of man”
Contrast of Renaissance art with medieval styles:
Gothic in northern Europe (Notre Dame de Paris, Chartres)
Byzantine in Italy: Ravenna and
Venice (maniera byzantina)
Major themes of Renaissance art:
Naturalism: realistic depiciton of natural world
Classicism: imitation of Roman art and architecture
Linear perspective: 14th C. rediscovery of mathematics of perspective
(
Roman art shows some intuitive understand of perspective))
Social position of artist: from artisan
to virtuoso (Leonardo & Michaelangelo)
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EARLY RENAISSANCE naturalism, emotion, individual portraits
PAINTING: Agnolo
Gaddi, 14th C.
“Giotto translated painting from Greek (i.e. Byzantine)
into Latin”
GIOTTO DA BONDONE (1277-1337)
Padua: Arena Chapel (Scrovegni family) -- scenes (storie) of Christ’s life
Meeting at Golden Gate (Anna & Joachim),
Betrayal of Judas, Crucifixion, Lamentation
Church of San Francesco, Assisi: scenes from life of St. Francis
Bardi
& Peruzzi Chapels, Santa Croce, Florence: funeral, stigmatization
MASSACCIO (1401-1428) fresco paintings: emotion, naturalism,
perspective:
Brancacci Chapel, Santa Maria del Carmine,
Adam
& Eve, Expulsion from
Santa
Maria Novella,
early example of single point perspective in painting
depiction of three dimensional space on two dimensional
surface
SCULPTURE human anatomy, first free standing sculptures since
antiquity
DONATELLO (1386-1466)
1440
David: first free standing nude statue of Renaissance
1454
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ARCHITECTURE FLORENCE
1) Baptistery Doors: San Giovanni (St John the Baptist)
All originally designed for east door facing cathedral,
but moved around later
14th C. Andrea da Pisano 1330-1336:first set of doors, now the south doors
LORENZO GHIBERTI
15th C. Ghiberti’s doors1401 wins competitionagainst Brunelleschi
each submits panel
of sacrifice of Isaac
1424 north doors installed; given
second commision for
1452 east doors -- called "Gates
of Paradise" by Michelangelo
BE SURE TO SEE:
** March-April 4: Seattle Art Museum has three original panels from these
doors
on display: Adam & Eve, Esau & Jacob,
David & Goliath.
After this, panels only on display in Florentine
musuem Opera del Duomo
2)
FILIPPO BRUNELLESCHI (1377-1446)
1401
loses competition for baptistery doors to Ghiberti
1402 -1412
trip to
the Pantheon (only free-standing dome surviving from
antiquity)
1419 Ospedale degli Innocenti (
1430’s
Brunelleschi wins contest to build first free standing
dome since antiquity
based on his study of Roman pantheon, fallen domes in
Rome
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RENAISSANCE PAINTING : late 15-early 16th C.:
patrons: Medici, Sforza, Popes, French King
GHIRLANDAIO, Sassetti Chapel, Santa Trinita, Florence
Adoration
of the Shepherds, 1485: Corinthian architectural setting
SANDRO BOTTICELLI (1444-1510) Primavera,
Birth of Venus, Medici Nativity
ROME: POPE SIXTUS IV
DELLA ROVERE (1471-84) famous for 1) nepotism,
2)
building projects: Sistine Chapel, Ponte Sisto for Jubilee Year of 1475
painting
by Melozzo da Forli, Sixtus IV and his nephews 1477
inaugurating new head of Vatican Library, with nephews including
Cardinal Giuliano della Rovere (later Pope Julius II)
LEONARDO DA VINCI ( 1451-1519)
Virgin
of the Rocks (chiaroscuro: ligtht/dark contrast)
Anne,
Mary and Christ; Last Supper; La Giocanda (Mona Lisa)
RAPHAEL (14830-1520) patronage of Julius II in
Madonnas;
MICHELANGELO (1475-1564)
1534 Last Judgment (for Paul III Farnese Pope)
Architecture: plan for new St. Peter's Church, redesign of Capitoline hill