Table of Contents for Writing With Images

Hypertext Abstract of Introduction:
Imagetext and Other Mixed Modes

Section	Subsection	Points	Examples
Introduction
1. Fall and Rise		relations of image and text Visual Language, Visual Literacy?
2.Issues	2.1. holistic v. analytic		Clip Art
	2.2 digital v. analog		Clip Art
	2.3 images v. propositions *		Laszlo Moholy-Nagy, Natsuki Kimura
	2.4 code v. context
	2.5 naturalism v. abstraction		Shirin Kouladjie, clip art. Alex Shulgin
	2.6 documentary v. manipulation
	2.7 art v. nonart
3. Mixed Modes			Robert Cumming
* Addendum: Clip Art

Hypertext Abstract of Chapter 1:Words in Images

Section	Subsection	Points	Examples
Introduction		equal/unequal footing	John Baldessari
1. Magritte	1.1 Signification/representation/ resemblance		Magritte
	1.2 Concept blobs
	1.3 Titles/captions/labels
2. Stable Relations	2.1 Titles/captions	Proper and random names	Shane Cooper
	2.2 Placards and Legends	placards as context	Hans Haacke, Jacqueline Hayden
	2.3 Labels	diagram and label, canonical views	Larry Rivers, Jasper Johns, Kim Beckmann
3. Appropriations		Lies and Truth	John Heartfield, Victor Burgin, Esther Parada, WIRED
4. Unstable Relations	4.1 Martha Rosler	documentary v. experience representation of non-place	Martha Rosler
4. Unstable Relations	4.2 textmontage	blending of text and image	Stef Zelynskyj, Sandy Young, Kim Beckmann Diane Fenster, Ian Campbell, WIRED, Willie Doherty, Eduardo Navas
5. Word-Image Chains		equivalence as links	Joseph Squier, Carol Flax, Carmin Karasic Liz Miller, Shelly Jackson

Hypertext Abstract of Chapter 2: Photomontage

Section	Subsection	Points	Examples
Introduction		Photomontage/Photocollage blending 2 co-present worlds Why hard to see? Explosion with Photoshop	Duane Michals
1. Reflections		"natural photomontage" display windows impossible worlds	Eugene Atget, Barbara Morgan, Clarence John Laughlin, Mac Adams
2. Form	2.1 edges and gradients *	contours, outlines variable masks inversion of image	Man Ray, Calum Colvin, O. J. Rejlander, Coryndon Luxmoore, Clarence Laughlin, Catherine McIntyre
	2.2 horizon and perspective **	orientation, multiples	Barbara Morgan, Van Telberg, Clarence Laughlin
	2.3 superposition of layers	sources of difficulty	Burke Uzzle, Esther Neimanas
3. Interpretation	3.1 reduced opacity - ->subjectivity		Duane Michals, Edmund Teske, Diane Fenster
	3.2 outline - ->identity		Grahame Weinbren,El Lissitsky, Alice Lev-Neringer Jerry Uelsmann, Barbara Morgan, Diane Fenster
	3.3 perspective - -> world		Van Telberg
	3.4 stacks of layers- -> historical sequence		Geoff Broadway, Richard Ramsdell, Esther Parada, Annette Pugh Nancy Goldring
4. Faux Photomontage		projections painted in space	Calum Colvin
5. Photo Illustration		photoshopmontage; illustration, analysis	Hoang, Fairman, McIntyre, Fenster
* Addenda	Solarization and Inversion Canonical Perspective Magritte Discovers Gradient Masks
** Addendum : Perspective Workshop

Hypertext Abstract of Chapter 3: From Papier collé to Digital Collage

Section	Subsection	Points	Examples
Introduction		collage/montage	Alex. Rodchenko, Bernie Stephanus, Georges Braque
1. Structures		scale of work main patterns emblem books	Hannah Hoch, Cory Eiseman, Laurence Gartel, Robin Street, Natsuke Kimura, Gary Worzel, Shirin Kouladjie, Pierre Robin, Hans Goede, Kinga Britschgi
2.Edges: Displacements and Grafts		photomosaic, grafts, degrees of semanticity	David Hockney, Bernie Stephanus, Shirin Kouladjie
3. Visual Form and Semantic Content	3.1 newspapers		Hans Haacke, Adrienne Wortzel
	3.2 advertisement images		Pierre Robin
	3.3 famous canvases		Pat Street, Bernie Stephanus, Shirin Kouladjie
	3.4 Abstract Collage?		Cyril Touchon, Cheryl McClure
4. Animated, Interactive, Multimedia, & Randomized Collage		small moving parts Flash: sound, animation rollovers rearrangeable collage random and dynamic collage	Ian Campbell, Shirin Kouladjie, Martha Rosler Friederike Paetzold, Marjorie Coverley Luesebrink, Dirk Hine

Hypertext Abstract of Chapter 4: Viewing Viewing

Section	Subsection	Points	Examples
Introduction		Viewing as theme figure looks at the viewer: "appeal" absorption	Thomas Struth (Seurat)
1. Viewing viewing	1.1 scale of guilty looking		Chim, Natalie Bookchin, Victor Burgin
1. Viewing viewing	1.2 Absorption/recognition		Eduoard Manet, Jeff Wall, Jan Saudek, Gerd Ludwig
2.Including the shooter	2.1 Self-Portrait with Wife June and Models		Helmut Newton
	2.2 Picture for Women		Jeff Wall
	2.3 Agfa Advert
3. Seeking to See	3.1 Cyberbabes		Lisa Hutton
	3.2 Cyberbride		Teo Spiller
	3.3 Voyeur Viewer
	3.4 easylife/XXX		Alexei Shulgin
Conclusion

Hypertext Abstract of Chapter 5: Contexts

Section	Subsection	Points	Examples
Introduction		Gallery-museum as context high v. popular culture
1 museum.art		aesthetic framing	Gustave Courbet
	1.1 noticing, appropriation, and critique		Richard Prince
	1.2 art.history		Barry Kite, Yasumasa Morimura, Joel-Peter Witkin, Kim Stringfellow, Graham Harwood
2 net.art *	2.1 Brandon		Shu Lea Cheang
	2.2 Zombie Princess		"Francesca da Rimini"
	2.3 www.absurd.org
3. Images in net.art.satire	3.1 Innocence exposed		The Onion
	3.2 Intensification of the banal		The Onion
	3.3 Brochures exposed		chickenhead, thecomedylab
	3.4 50s' cheerful smiles exposed		chickenhead
	3.5 glossing over the horrors		Landover Baptist
Conclusion			Harlan Wallach
Appendix: Contexts and Web Humor: The Case of Religion Sites

Hypertext Abstract of Chapter 6:Maps of Abstractions

Section	Subsection	Points	Examples
Introduction		Data Structures Nodes,edges, paths cyclic/acyclic, directed topological/topographic	Harry Beck
1. Semantic Space	1.1 WordNet		George A. Miller et al.
	1.2 Visual Thesaurus		Mark Tinkler
	1.3 Apartment		Marek Walzak and Martin Wattenberg
2.Modelling File Systems	2.1 Tree Directories		Ztree, file and folder, TreeMapper
	2.2 Semi-Excursus on Trees		Language Trees, Descent Trees
	2.3 3D maps of file systems		xandi, Yusuke Shinyama, Leander Seige, Ramanathan V. Guha, Mary Flanagan
3 Hypertext	3.1 Hypertext as rhizome		A Thousand Plateaus
	3.2 Hypertext as collage
	3.3 Hypertext as cinematic montage		Walter Benjamin Giles Peaker
4 Web Sites	4.1 Machine-made Webs: nodes and edges		(Hypertext Gardens), Merzscope, Mapuccino, Astra, Nestor
	4.2 Hand-made Webs		Vera Frenkel, Udi Aloni
	4.3 Web site as Life form		Ben Fry
Conclusion: Map or Territory			Lisa Jevbratt

Conclusion: Short Histories of the Present

Works Cited and URLs Linked