Works Cited and URLs Linked

Works Cited

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Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction (1936), in Illuminations, edited by Hannah Arendt, Schoken Books, 1968, pages 217-251. Also
Benjamin, Walter. The Paris of the Second Empire in Baudelaire [1938], 1973. NLB, 1973.
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Benjamin, Walter. A Short History of Photography. Artforum, 15, 1977.
Benjamin, Walter. The Arcades Project, 1999. Belknap Press of Harvard Univesity Press, 1999.
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Berger, John and Mohr, Jean with the help of Nicholas Philebert. Another Way of Telling. Writers and Readers, 1982.
Bertin, Jacques. The Semiology of Graphics. University of Wisconsin Press, 1983.
Bolter, Jay David and Grusin, Richard. Remediation: Understanding New Media. MIT Press, 2000.
Bolter, Jay David. Writing Space: Computers, Hypertext, and the Remediation of Print. Lawrence Erlbaum, Assocs., 2001.
Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project, 1989. MIT Press, 1989.
Buchloh, Benjamin. From Faktura to Factography, 1989. MIT Press, 1989.
Burkhardt, Astrit Schmidt. Shaping Modernism: Alfred Barr's Geneology of Art. Word and Image, 16:387-400.
Burgin, Victor. Between. Basil Blackwell: Institute of Contemporary Arts, 1986.
Burgin, Victor. In/Different Spaces: Past and Memory in Visual Culture. University of California Press, 1996.
Celant, Germano. Witkin. Scalo, 1995.
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Clarke, Grahame. The Photograph. Oxford University Press, 1997.
Connor, Steve. A Spot of Speed Puts Spiders in a Spinia.
Dadamonster. Exploration of the Absurd.
Deleuze, Gilles and Felix Guattari. A Thousand Plateaus, 1980. University of MInnesota Press, 1980.
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Drucker, Johanna. The Visible Word: Experimental Typography and Modern Art, 1909-1923. University of Chicago Press, 1994.
Druckrey, Tim ed. Electronic Culture: Technology and Visual Representation. Aperture, 1996.
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Elkins, James. The Domain of Images. Cornell University Press, 1999.
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Fisher, Phillip. Making and Effacing Art. Oxford University Press, 1991.
Foucault, Michel. This Is Not a Pipe. University of California Press, 1982.
Fried, Michael. Manet's Modernism. University of Chicago Press, 1996.
Fry, Ben. Organic Information Design. MA Thesis, MIT, 2000,
Gamkrelidze, Thomas and V. V. Ivanov. The Early History of Indo-European Languages. Scientific American, 254(3):109-, 1990.
Gablik, Suzi. Magritte. New York Graphical Society, Ltd., 1970.
Gaines, James R. To Our Readers. Time, 144(1), 1994.
Godfrey, Tony. Conceptual Art. Phaidon, 1998.
Goodman, Nelson. The Languages of Art. Hackett Publishing, 1968.
Hawisher, Gail E. and Cynthia L. Selfe, editors. Passions, Pedagogies, and 21st Century Technologies. Utah State University Press/NCTE, 1999.
Haacke, Han. AnsichtsSachen/Viewing Matters. Richter Verlag, 1999.
Hammacher, A. M. Magritte. Harry N. Abrams, 1985.
Hartmann, Frank. Speaking of Signs.
Harwood@mongrel. Uncomfortable Proximity., 2000.
Harrison, Charles. Modernism, 1996. University of Chicago Press, 1996.
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Helmers, Margaret. Media, Discourse, and the Public Sphere. College English, 63:437-456, 2001.
Hine, Dirk. Subterranean Notes Guide to Digital Art on the Web.
Hine, Dirk. Subterranean Notes., 2000.
Horn, Robert E. Visual Language:Global Communication for the 21st Century. MacroVu Press, 1998.
Hunter, Jefferson. Image and Word. Harvard University Press, 1989.
Ippolito, Jonathan. Juror's Statement: Net Art., 2000.
Janisch, Hans Peter. Zukunftsperspektiven der Infografik.
Jevbratt, Lisa. Description., 1999.
Johnson, Lisa. Urban Anthropology.
Kahn, Paul and Krzysztof Lenk. Mapping Web Sites. Rotovision SA, 2001.
Kear, Adrian and Deborah Lynn Steinberg, editors. Mourning Diana: Nation, Culture, and the Performance of Grief. Routledge, 1999.
Katz, Jon. A Link to Jesus: Review of 'The Jesus Homepage'. Netizen (, 1996.
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Landow, George P. Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology. Johns Hopkins University Press, 1997.
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Lupton, Ellen. Reading ISOTYPE, 1989, pages 145-56. University of Chicago Press, 1989.
Magritte, Rene. Les mots et les images. La Revolution Surrealiste(12):32-33, 1929.
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Messaris, Paul. Visual Persuasion: The Role of Advertising. Sage Publications, 1997.
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Mitchell, William J. The Reconfigured Eye: Visual Truth in the Post-Photographic Era. MIT Press, 1992.
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Ottinger ed., Didier. Magritte. Montreal Museum of Fine Arts, 1996.
Palmer, Stephen E. Vision Science: Photons to Phenomenology. MIT Press, 1999.
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Pincus-Witten, Robert. Blasted Allegories: The Photographs of John Baldessari, 1981, pages 51-61. New Museum, 1981.
Poggi, Christine. In Defiance of Painting: Cubism, Futurism, and the Invention of Collage. Yale University Press, 1992.
Potts, Alex. Sign. In Critical Terms for Art History, edited by Robert S. Nelson and Richard Shiff, University of Chicago Press, 1996.
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Rosenberg, Martin E. Physics and Hypertext: Liberation and Complicity in Art and Pedagogy. In Hyper/Text/Theory, edited by George P. Landow, Johns Hopkins University Press, 1994, pages 268-298.
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Rosler, Martha. In the Place of the Public: Observations of a Frequent Flyer. Assemblage(25):44-79, 1994.
Rosler, Martha. Martha Rosler: Positions in the Life World. Ikon Gallery, Generali Foundation, MIT Press, 1998.
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Sanford, Christy Sheffield. The Roots of Nonlinearity:Toward a Theory of Web-Specific Art-Writing. Beehive (, 3(1), 2000.
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Schneiderman, Ben. Treemaps for space-constrained visualization of hierarchies.
Scott, Clive. The Spoken Image: Photography and Language. Reaktion Books, 1999.
Selbo, Vivian. Vertical Blanking Interval.
Short, Daniel M. Indo-European Language Tree.
Silverman, Kaja. On the Threshold of the Visible World. Routledge, 1996.
Solomon-Godeau, Abigail. Living with Contradictions: Critical Practices in the Age of Supply-Side Aesthetics. The New York Press, 1999.
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Stahel, Urs. Participating without Consequences: Rules and Patterns of Newton's Voyeurism. In Helmut Newton: Selections from his Photographic Works, edited by Zdenek Felix, Schirmer Art Books, 1993, pp, 19-30.
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Sterckx, Peter. Magritte: The Image as Mechanism. Montreal Museum of Fine Arts, 1996.
Sturken, Marita and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. Oxford University Press, 2001.
Sylvester, David. Magritte. Menil Foundation Fons Mercator, 1992.
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Wade, Nicholas. Visual Allusions: Pictures of Perception. Lawrence Erlbaum Associates, 1990.
Waldman, Diane. Collage, Assemblage, and the Found Object. Harry N. Abrams, 1992.
Wallach, Harlan. Chicago Murder Sites., 1996.
Walter ed., Tony. The Mourning for Diana. Berg, 1999.
Willats, John. Art and Representation. Princeton University Press, 1997.
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ctrlaltdel. PC Click Club.

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