Works Cited and URLs Linked

Works Cited

[BFG]
Barker, William, Mark Feltham and Jean Guthrie. Alciato's Book of Emblems: The Memorial Web Edition in Latin and English. www.mun.ca/alciator/index.html.
[Bar77]
Barthes, Roland. Image, Music, Text. Hill and Wang, 1977.
[Bar99]
Barker, Emma. The Museum in a Postmodern Era: the Musee d'Orsay, 1999. Yale University Press/Open University, 1999.
[Ben36]
Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction (1936), in Illuminations, edited by Hannah Arendt, Schoken Books, 1968, pages 217-251. Also www.student.math.uwaterloo.ca/~cs492/Benjamin.html.
[Ben73a]
Benjamin, Walter. The Paris of the Second Empire in Baudelaire [1938], 1973. NLB, 1973.
[Ben73b]
Benjamin, Walter. Paris, the Capital [sic] of the Nineteenth Century, 1973. NLB, 1973.
[Ben77]
Benjamin, Walter. A Short History of Photography. Artforum, 15, 1977.
[Ben99]
Benjamin, Walter. The Arcades Project, 1999. Belknap Press of Harvard Univesity Press, 1999.
[Ber00]
Bernstein, Mark. More Than Legible: on links that readers don't want to follow (talk at Hypertext 2000). www.markbernstein.org/talks/HT00.html, 2000.
[Ber]
Bernstein, Mark. Hypertext Gardens: Delightful Vistas. www.eastgate.com/garden .
[Ber82]
Berger, John and Mohr, Jean with the help of Nicholas Philebert. Another Way of Telling. Writers and Readers, 1982.
[Ber83]
Bertin, Jacques. The Semiology of Graphics. University of Wisconsin Press, 1983.
[Bol00]
Bolter, Jay David and Grusin, Richard. Remediation: Understanding New Media. MIT Press, 2000.
[Bol01]
Bolter, Jay David. Writing Space: Computers, Hypertext, and the Remediation of Print. Lawrence Erlbaum, Assocs., 2001.
[Buc89a]
Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project, 1989. MIT Press, 1989.
[Buc89]
Buchloh, Benjamin. From Faktura to Factography, 1989. MIT Press, 1989.
[Bur]
Burkhardt, Astrit Schmidt. Shaping Modernism: Alfred Barr's Geneology of Art. Word and Image, 16:387-400.
[Bur86]
Burgin, Victor. Between. Basil Blackwell: Institute of Contemporary Arts, 1986.
[Bur96]
Burgin, Victor. In/Different Spaces: Past and Memory in Visual Culture. University of California Press, 1996.
[Cel95]
Celant, Germano. Witkin. Scalo, 1995.
[Cha]
Chandler, Daniel. Notes on 'The Gaze'. www.aber.ac.uk/media/Documents/gaze/gaze06.html.
[Che]
Cheang, Shu Lea and Lawrence Chua. HoME. www.ntticc.or.jp/HoME.
[Cla97]
Clarke, Grahame. The Photograph. Oxford University Press, 1997.
[Con]
Connor, Steve. A Spot of Speed Puts Spiders in a Spinia. www.cling.gu.se/~c15pwall/spiders/spiders.html.
[Dad]
Dadamonster. Exploration of the Absurd. www.angelfire.com/zine/dadamonster/dadamonster.html
[DG80]
Deleuze, Gilles and Felix Guattari. A Thousand Plateaus, 1980. University of MInnesota Press, 1980.
[DiP]
DiPietro, Monty. Rev. of 'Self-Portrait as Art History'. www.assemblylanguage.com/reviews/Morimura.html.
[Dif]
Diffey, Terry. Aesthetics Lectures (5): Pictorial Representation. www.sussex.ac.uk/Units/philosophy/ courseres/aestlec5.html.
[DK01]
Dodge, Martin and Rob Kitchin. Atlas of Cyberspace. Pearson Education Ltd, 2001.
[Don73]
Donidis, Donis. A Primer of Visual Literacy. MIT Press, 1973.
[Dru94]
Drucker, Johanna. The Visible Word: Experimental Typography and Modern Art, 1909-1923. University of Chicago Press, 1994.
[Dru96]
Druckrey, Tim ed. Electronic Culture: Technology and Visual Representation. Aperture, 1996.
[Duv96]
Duve, Thierry de. Survey: The Mainstream and the Crooked Path, 1996. Phaidon Press, 1996.
[Eke]
Ekenberg, Jan. Prologue. cadre.sjsu.edu/jevbratt/c5/onetoone/jan.html.
[Elk99]
Elkins, James. The Domain of Images. Cornell University Press, 1999.
[Erl]
Erlewine, Kate (?). Were Housewives on Drugs?. www.orangek8.com/forties/drugs/duz.html..
[Fag]
Fagot, Vincent. L'Architecture des synonymes: Visual Thesaurus. Le Monde Interactif (interactif.lemonde.fr/article/0,5611,2857--222684-0,FF.html).
[Fis91]
Fisher, Phillip. Making and Effacing Art. Oxford University Press, 1991.
[Fou82]
Foucault, Michel. This Is Not a Pipe. University of California Press, 1982.
[Fri96]
Fried, Michael. Manet's Modernism. University of Chicago Press, 1996.
[Fry00]
Fry, Ben. Organic Information Design. MA Thesis, MIT, 2000, acg.media.mit.edu/people/fry/thesis.
[GI90]
Gamkrelidze, Thomas and V. V. Ivanov. The Early History of Indo-European Languages. Scientific American, 254(3):109-, 1990.
[Gab70]
Gablik, Suzi. Magritte. New York Graphical Society, Ltd., 1970.
[Gai94]
Gaines, James R. To Our Readers. Time, 144(1), 1994.
[God98]
Godfrey, Tony. Conceptual Art. Phaidon, 1998.
[Goo68]
Goodman, Nelson. The Languages of Art. Hackett Publishing, 1968.
[HS99]
Hawisher, Gail E. and Cynthia L. Selfe, editors. Passions, Pedagogies, and 21st Century Technologies. Utah State University Press/NCTE, 1999.
[Haa99]
Haacke, Han. AnsichtsSachen/Viewing Matters. Richter Verlag, 1999.
[Ham85]
Hammacher, A. M. Magritte. Harry N. Abrams, 1985.
[Har]
Hartmann, Frank. Speaking of Signs. www.heise.de/tp/english/inhalt/co/2173/2.html.
[Har00]
Harwood@mongrel. Uncomfortable Proximity. www.tate.org.uk/webart/mongrel/home/engl, 2000.
[Har96]
Harrison, Charles. Modernism, 1996. University of Chicago Press, 1996.
[Hay]
Hay, Bob. Emblem Books. www.netnik.com/emblemata/.
[Hel01]
Helmers, Margaret. Media, Discourse, and the Public Sphere. College English, 63:437-456, 2001.
[Hin]
Hine, Dirk. Subterranean Notes Guide to Digital Art on the Web. www.hine-digital-art.com/weblog/links.html.
[Hin00]
Hine, Dirk. Subterranean Notes. www.hine-digital-art.com/weblong/april00.html, 2000.
[Hor98]
Horn, Robert E. Visual Language:Global Communication for the 21st Century. MacroVu Press, 1998.
[Hun89]
Hunter, Jefferson. Image and Word. Harvard University Press, 1989.
[Ipp00]
Ippolito, Jonathan. Juror's Statement: Net Art. www.asci.org/digital2000/Files/JurorStatement2.html, 2000.
[Jan]
Janisch, Hans Peter. Zukunftsperspektiven der Infografik. www.isotype.com/tips/janisch.htm/.
[Jev99]
Jevbratt, Lisa. Description. cadre.sjsu.edu/jevbratt/c5/onetoone/description.html, 1999.
[Joh]
Johnson, Lisa. Urban Anthropology. www.digitalari.com/urban/gallery1.html.
[KL01]
Kahn, Paul and Krzysztof Lenk. Mapping Web Sites. Rotovision SA, 2001.
[KSe99]
Kear, Adrian and Deborah Lynn Steinberg, editors. Mourning Diana: Nation, Culture, and the Performance of Grief. Routledge, 1999.
[Kat96]
Katz, Jon. A Link to Jesus: Review of 'The Jesus Homepage'. Netizen (hotwired.lycos.com/netizen/96/20/katz1a.html), 1996.
[Kos94]
Kosslyn, Stephen M. Elements of Graphic Design. W. H. Freeman, 1994.
[Kra]
Krantz, John. Sensation and Perception Tutorials: Shadow. psych.hanover.edu/Krantz/art/shadow.html.
[Kre97]
Kress, Gunther and Theo van Leeuwen. Reading Images: The Grammar of Visual Design. Routledge, 1997.
[Kre99]
Kress, Gunther. English at the Crossroads: Rethinking Curricula of Communication in the Context of the Turn to the Visual. In Passions, Pedagogies, and 21st Century Technologies, edited by Gail E. Hawisher and Cynthia L. Selfe, Utah State University Press/NCTE, 1999, pages 66.-88.
[Laf]
Laferte, Darryl. www.hypertext.net/essay/20.htm
[Lan97]
Landow, George P. Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology. Johns Hopkins University Press, 1997.
[Lar99]
Larsen, Yvonne M. Visualization for Thinking, Planning, and Problem Solving, 1999, pp. 192-220. MIT Press, 1999.
[Lee99]
Lee, John. Words and Pictures -- Goodman Revisited, 1999, pages 21-31. Springer Verlag, 1999.
[Lia]
Lialina, Olia. art.teleportacia.org.
[Lib]
Libraries, PennState University. The English Emblem Book Project. emblem.libraries.psu.edu/.
[Lup89]
Lupton, Ellen. Reading ISOTYPE, 1989, pages 145-56. University of Chicago Press, 1989.
[Mag29]
Magritte, Rene. Les mots et les images. La Revolution Surrealiste(12):32-33, 1929.
[Man01]
Manovich, Lev. The Language of New Media. MIT Press, 2001.
[Mar]
Martins, Marcelino. Folder Tree. www.geocities.com/Paris/LeftBank/2178/foldertree.html.
[Mat99]
Mathewson, James H. Visual-Spatial Thinking: An Aspect of Science Overlooked by Educators. Science Education, 83:33-54, 1999.
[Me98]
Merck ed, Many. After Diana: Irreverent Elegies. Verso, 1998.
[Mes94]
Messaris, Paul. Visual 'Literacy': Image, Mind, and Reality. Westview Press, 1994.
[Mes97]
Messaris, Paul. Visual Persuasion: The Role of Advertising. Sage Publications, 1997.
[Mil00]
Miles, Adrian. Hypertext Syntagmas: Cinematic Narration with Links. Journal of Digital Information (jodi.ecs.soton.ac.uk/Articles/V01/i07/Miles, 1(7), 2000.
[Mil98]
Miller, Jonathan. On Reflection. National Gallery Publications Ltd, 1998.
[Mit92]
Mitchell, William J. The Reconfigured Eye: Visual Truth in the Post-Photographic Era. MIT Press, 1992.
[Mit84]
Mitchell, W. J. T. Image, Text, and Ideology, 1984. University of Chicago Press, 1984.
[Mit94]
Mitchell, W. J. T. Picture Theory: Essays on Verbal and Visual Representation. University of Chicago Press, 1994.
[Mor]
Moriarty, Sandra. A Philosophical Discussion of Representation. spot.colorado.edu/~moriarts/reprsntn.html.
[Mou94]
Moulthrop, Stuart. Rhizome and Resistance: Hypertext and the Dreams of a New Culture. In Hypert/Text/Theory, edited by George P. Landow, Johns Hopkins University Press, 1994, pages 299-322.
[Mur]
Murphy, Robbin. A Burglar in the Treasure House. Intelligent Agent 2:3 (intelligentagent.com/vol2_no3_vis_thes.html).
[Nav]
Navas, Eduardo. QStory. home.earthlink.net/~navasse/Qstory/
[NIS]
NIST. Dictionary of Algorithms, Data Structures, and Problems. www.nist.gov/dads/terms.html.
[Nyi01]
Nyíri, Kristóf. The Picture Theory of Reason. In Rationality and Irrationality, edited by Barry Smith and Berit Brogaard, 2001, pp. 242-266. Also www.uniworld.hu/nyiri/krb2000/tlk.htm.
[Oe96]
Ottinger ed., Didier. Magritte. Montreal Museum of Fine Arts, 1996.
[Pal99]
Palmer, Stephen E. Vision Science: Photons to Phenomenology. MIT Press, 1999.
[Par90]
Parker, D.M. and Deregowski, J. B. Perception and Artistic Style. Elsevier, 1990.
[Par93]
Parada, Esther. ...To Make All Mankind Acquaintance, 1993. MITPress, 1993.
[Per]
Perry, Paul. Affordances. www.alamut.com/notebooks/affordances.html.
[Pin81]
Pincus-Witten, Robert. Blasted Allegories: The Photographs of John Baldessari, 1981, pages 51-61. New Museum, 1981.
[Pog92]
Poggi, Christine. In Defiance of Painting: Cubism, Futurism, and the Invention of Collage. Yale University Press, 1992.
[Pot96]
Potts, Alex. Sign. In Critical Terms for Art History, edited by Robert S. Nelson and Richard Shiff, University of Chicago Press, 1996.
[Rod88]
Rodari, Florian. Collage: Pasted, Cut, and Torn Papers. Skira, 1988.
[Ros94b]
Rosenberg, Martin E. Physics and Hypertext: Liberation and Complicity in Art and Pedagogy. In Hyper/Text/Theory, edited by George P. Landow, Johns Hopkins University Press, 1994, pages 268-298.
[Ros]
Ross, David. Net.art in the Age of Digital Reproduction. www.stunned.org/ross.htm.
[Ros94]
Rosler, Martha. In the Place of the Public: Observations of a Frequent Flyer. Assemblage(25):44-79, 1994.
[Ros98]
Rosler, Martha. Martha Rosler: Positions in the Life World. Ikon Gallery, Generali Foundation, MIT Press, 1998.
[Sal79]
Salomon, Gavriel. Interaction of Media, Cognition, and Learning. Jossey-Bass, 1979.
[San00]
Sanford, Christy Sheffield. The Roots of Nonlinearity:Toward a Theory of Web-Specific Art-Writing. Beehive (beehive.temporalimage.com/archive/31arc.html), 3(1), 2000.
[San01]
Sanford, Christy Sheffield. Interview. Currents in Electronic Writing 5 (2001) (www.cwrl.utexas.edu/currents/fall01/survey/sanford.html).
[Sch]
Schneiderman, Ben. Treemaps for space-constrained visualization of hierarchies. www.cs.umd.edu/hcil/treemaps/.
[Sco99]
Scott, Clive. The Spoken Image: Photography and Language. Reaktion Books, 1999.
[Sel]
Selbo, Vivian. Vertical Blanking Interval. adaweb.walkerart.org/project/selbo/.
[Sho]
Short, Daniel M. Indo-European Language Tree. www.georgetown.edu/cball/oe/oe-ie.html.
[Sil96]
Silverman, Kaja. On the Threshold of the Visible World. Routledge, 1996.
[Sol99]
Solomon-Godeau, Abigail. Living with Contradictions: Critical Practices in the Age of Supply-Side Aesthetics. The New York Press, 1999.
[Son77]
Sontag, Susan. On Photography, Farrar, Straus, and Giroux, 1977.
[Sta93]
Stahel, Urs. Participating without Consequences: Rules and Patterns of Newton's Voyeurism. In Helmut Newton: Selections from his Photographic Works, edited by Zdenek Felix, Schirmer Art Books, 1993, pp, 19-30.
[Ste99]
Stein, Sally. "Good fences make good neighbors": American Resistance to Photomontage Between the Wars. In Montage and Modern Life: 1919-1942, edited by Matthew Teitelbaum, MIT Press, 1992, pages 128-89.
[Ste96]
Sterckx, Peter. Magritte: The Image as Mechanism. Montreal Museum of Fine Arts, 1996.
[SC01]
Sturken, Marita and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. Oxford University Press, 2001.
[Syl92]
Sylvester, David. Magritte. Menil Foundation Fons Mercator, 1992.
[Tay]
Taylor, Conrad. Post Concerning Discussion of Use of Clip Art. list.design-inst.nl/pipermail/infodesign-cafe/ 2000-April/000973.html.
[Te92]
Teitelbaum, Matthew, editor. Montage and Modern Life: 1919-1942. MIT Press, 1992.
[Tid]
Tidwell, Jenifer. Pointer Shows Affordances. www.mit.edu/~jtidwell/language/pointer_shows_afforance.html.
[Tom96]
Tomas, Dave. From the Photograph to Postphotographic Practice: Toward a Postoptical Ecology of the Eye, 1996. Aperture, 1996.
[Tri]
Trique, Roland. Le Jargon Francaise. www.linux-france.org/prj/jargonf/C/clipart.html.
[Tuf97]
Tufte, Edward. Visual Explanations: Images And Quanitites, Evidence And Narrative. Graphics Press, 1997.
[Uel]
Uelsmann, Jerry. Home page. www.uelsmann.com
[Ver86]
Verschaffel, Bart. Rene Magritte. Montreal Musuem of Fine Arts, 1886.
[WDP+96]
Wall, Jeff, Thierry de Duve, Arielle Pelenc and Boris Groys. Jeff Wall. Phaidon Press, Ltd., 1996.
[WH]
Wade, Mara and Patricia Hardin. German Emblem Books. images.library.uiuc.edu/projects/emblems/project.html.
[Wad]
Wade, Nicholas. Visionaries. www.perceptionweb.com/wade/.
[Wad90]
Wade, Nicholas. Visual Allusions: Pictures of Perception. Lawrence Erlbaum Associates, 1990.
[Wal92]
Waldman, Diane. Collage, Assemblage, and the Found Object. Harry N. Abrams, 1992.
[Wal96]
Wallach, Harlan. Chicago Murder Sites. www.rtvf.nwu.edu/people/harlan/arthole/cms, 1996.
[We99]
Walter ed., Tony. The Mourning for Diana. Berg, 1999.
[Wil97]
Willats, John. Art and Representation. Princeton University Press, 1997.
[Wil99]
Williams, Sean. Structured Dissonance and the Art of Building Arguments for the World-Wide Web. www.nyu.edu/classes/keefer/waoe/williams.html, 1999.
[Zel]
Zeldman, Jeffrey. Interview with Shirin Moalie. www.zeldman.com/15/shirinf.html.
[ctr]
ctrlaltdel. PC Click Club. www.xs4all.nl/~real/pcrec1.htm.

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