EARLY MOTION PICTURE PIONEERS
By Betsie Rayner

Thomas Alva Edison & William K.L. Dickson
In 1894, the American inventor Thomas Edison told a reporter,

Some time ago, it occurred to me that it might be possible to invent something that would do for the eye what the phonograph does for the ear, an instrument in fact that would faithfully record and reproduce practically all motion.

Edison was familiar with the zoetrope (as pictured on the left) and the experiments of Muybridge, but he considered them “crude.” He acquired the Black Maria, a tarpaper shack in West Orange, New Jersey, and turned it into the first movie studio (Right). There, Edison worked with William Dickson, a man who, being quite taken by Edison’s experiments, applied for a job and soon proved to be a valuable assistant. With Edison’s original idea and Dickson’s hard work, the two created the kinetoscope, the original movie machine (Left).

Film moves through the kinetoscope using a sprochet system. The camera could run about 50 feet of film in an endless loop past a magnifying screen. The viewer would look through a peephole at the top of the box-like machine to view the film. Throughout big cities across the country, kinetoscopes popped up in parlors as coin-operated machines. (about.com; Inventors: the Kinetscope)

 

The Lumière Brothers
In France in 1895, the brothers Louis and Auguste Lumière , invented the Cinématographe , a combined a printer, camera and projector. The cinematograph became most known for its short silent films, such as waves crashing against a shore and a gardener watering a lawn. In one such film, a mail train appeared to rush toward the viewer, causing the audience to lurch back in their seats in fear.

The cinematograph quickly penetrated the U.S. market, as well as countries around the world. The invention earned an international presence as its silent nature effaced the language barrier.

 

Edwin S. Porter
Many motion picture historians consider Edwin Porter the father of the story film. In 1895, Porter left his native Italy to move to the U.S., where he utilized his electrical engineering abilities at the Vitascope Marketing Company. He later worked for Edison’s manufacturing company and also as a freelance projectionist. Porter had extensive talent at methods of projection and film editing.

Putting this talent to use, in 1903, he directed The Great Train Robbery, the first major American motion picture. The eight-minute film upheld a strong story line and an excellent climax, and boasted a cast of some forty actors. Combined with Porter’s exceptional editing and Edison’s production rights, it became the first epic Western film.

From Edison films catalog, on The Great Train Robbery:

This sensational and highly tragic subject will certainly make a decided “hit” whenever shown. In every respect we consider it absolutely the superior of any moving picture ever made. It has been posed and acted in faithful duplication of the genuine ‘Hold Ups’ made famous by various outlaw bands in the far West, and only recently the East has been shocked by several crimes of the frontier order, which fact will increase the popular interest in this great Headline Attraction. (earlycinema.com, Pioneers: Edwin S. Porter)

D.W. Griffith
“D.W. Griffith is master of the art of conveying on the screen an impression of ever present reality…He splashes crowds, cities, battles and races on his celluloid as other artists might splash color on canvas.”

So printed the Current Opinion in 1916, in an article called “The Greatest Achievement of the Superman of the Movies.” D.W. Griffith was well regarded in his time and continues to be considered a pioneer of the motion picture industry. The American silent filmmaker was considered to have developed the aesthetics of the motion picture. He owned the Biograph Film Company and trained his own company of actors.

Griffith was the first to use the close-up as a means of emphasis. He used the camera functionally—starting and stopping at appropriate times to create scene development. Breaking scenes into a series of different shots, he created the first ever rhythm to motion pictures.

His most notable films include The Birth of a Nation, a 12-reel American Civil War film released in 1915, and Intolerance, a 1916 film that wowed the critics of The Birth of a Nation.

 

 

MOTION PICTURES 1930s-1960s
By Regina Lindquist

1930's

  • The 1930s marked the beginning of the “Golden Age of Hollywood”.
  • 1930- This era marked the beginning of government censorship of films with the adoption of the Hays Code a.k.a. The Production Code. This code was adopted on March 31and was enforced through 1967, limiting the showing of violence, alcoholism and sex. The Catholic church formed a Legion of Decency which boycotted all films that did not follow the guidelines.
  • 1933- “King Kong was released, revolutionizing the world of special effects.
  • The 30s were the era of gangster movie including “Little Caesar” and “Scarface”
  • 1935- Alfred Hitchcock releases his first thriller “The 39 Steps”. The first feature length Technicolor film was released, “Becky Sharp”. Century Pictures and Fox Films merged to become 20 th Century-Fox. Czech film “Estacy” was banned from coming inside US borders due to nudity and sexual scenes.
  • 1937- Disney release first full-length animated film “Snow White and the Seven Dwarfs”.
  • 1938- Bugs Bunny make first appearance in Warner Brothers film.
  • 1939- “Gone With the Wind” was released starring Clarke Gable and Vivien Leigh. The film grossed over $192 million, winning eight Academy Awards including first color film to receive Best Picture and first African American to receive and Oscar. This was also the year that the “Wizard of Oz” was released starring Judy Garland.
  • Famous actors and actresses in the 1930s included Katherine Hepburn, Fred Astaire, Ginger Rogers, and Humphrey Bogart.

1940's

  • 1940- Agents become an important part of the motion picture society and begin to receive part of film’s profits.
  • 1941- Orson Wells releases Citizen Kane.
  • 1942- Casablanca was released taking place in the wartime of 1941. Also, Nazis ban the screenings of American films. The Office of War Information puts pressure on Hollywood to make films that aid in the war effort.
  • 1943- “Desperadoes” is released.
  • 1945- the war ends and so does much of the censorship placed on imported and exported films.
  • 1946- Marked the first year of the Cannes film festival.
  • 1947- With the fear of Communism looming large and the House Un-American Activities Committee many people in Hollywood are accused in aiding the Communist movement.
  • 1949- Hollywood makes its first statement against racism with the film “Pinky”

1950's

  • 1950- Congress and McCarthy continued their crusade to end Communism in Hollywood imprisoning 8 of the “Hollywood 10”. Also, the start a second round of trials.
  • 1952- First 3-D film, “Bwana Devil” was released to counteract the loss in revenue in the film industry due to television. Also, in 1952 “Singin’ in the Rain” was released.
  • 1953- Academy Awards were televised for the first time.
  • 1954- the first of the Japanese Godzilla films were released.
  • 1955- James Dean was killed in car accident after producing both “East of Eden” and “Rebel Without a Cause” that same year. Also in 1955, Disneyland opens in Anaheim, California.
  • 1956- Elvis Presley made his first on screen appearance in “Love Me Tender”.
  • 1957- First interracial film was released “Island in the Sun”.
  • 1959- Ben-Hur was released and won 11 Oscars the most to date.

 

AMERICAN FILMS FROM THE 1960s TO THE PRESENT
By Joe Marchesano


By the end of the 1960’s the purpose of owning a movie studio had changed dramatically. Originally studio owners saw making movies as the prime purpose and making a profit as secondary, however after most overseas conglomerate had bought over the original studio the goals had change to being purely profit driven.

The Production Code (Right), also known as the Hays Code, was a rating system that dictated the content of film from 1930 through 1967 (Answers.com). Although ignored at first, the code eventually dictated the type of material that was shown in films. By 1967 enforcement of the code was nearly impossible and Hollywood adopted a rating system. In return for allowing writers and directors greater latitude in developing a film, Hollywood agreed to use an age restriction system which controlled who would be able to see certain films. This has become known as the MPAA Rating System. It should be noted that this has not been considered as government regulation but rather self regulation.

Blockbuster movies became the new way to release films. Prior to the 1970’s films would have to be re-released in order for smaller audiences to view it. This method was called “limited release system” (Wikipedia.com). Films were now shown in a wider number of theatres.

The 1980s brought bigger blockbusters and sequels. Most importantly however, is that the 80s brought the advent of home viewing. Concerns of copyright infringement and time shifting were called into question. Eventually however the legal battle ended in favor of home viewer-ship and prompted the sales of rental movies. This dramatically increased the revenue of movie companies.

The 1990’s would become to be known as the decade of technical advances in cinema. Movies, like The Matrix, became the first to use a technology known as “bullet time” (Wikipedia.com). This allowed the viewer to watch a scene in slow motion while the camera makes an orbit around the scene. Other technologies introduced were computer animation through companies like Pixar and Disney. The first joint venture between these companies was Toy Story and the last will be called Cars. Another invention that was popularized in the 1990s was the DVD. A DVD is an optical storage media format that can store video and sound.

The future of the movie cinema will most likely evolve with the rest of technology. Special effects in movies are getting more realistic and dramatic with each film. The technology which powers the movie is also evolving. Most importantly however, is that the movies are still popular and powerful with many demographics in society.

 

CITATIONS

Funk & Wagnalls New Encyclopedia, in The History Channel . (2005). Encyclopedia: History of Motion Pictures. Retrieved May 12, 2005, from http://www.historychannel.com/thcsearch/thc_resourcedetail.do?encyc_id=216967.

The Greatest Achievement of the Superman of the Movies. (1916, November). Current Opinion, LXI(5). Retrieved May 17, 2005, from http://tinyurl.com/cqorv

The Library of Congress: American Memory. Early Motion Pictures, 1897-1920: The Great Train Robbery.Retrieved May 18, 2005, from http://tinyurl.com/cy7aq

War, Shorn of Romance, Is Sounding Its Own Knell. (1918, April). Current Opinion, LXIV(4). Retrieved May 18, 2005, from http://tinyurl.com/9gbyj

Wonders of the Kinetoscope. (1894, May). Current Literature, XV(5). Retrieved May 17, 2005, from http://tinyurl.com/9uug3

The Greatest Films. (2005). Timeline of Influential Milestones and Important Turning Points in Film History. Retrieved May 11, 2005, from http://www.filmsite.org/milestones1930s.html

Wikipedia. (2005, April 29). Production Code. Retrieved May 11, 2005, from http://en.wikipedia.org/wiki/Hays_Code.

History Channel. (2005). Encyclopedia: History of Motion Picture. Retrieved May 11, 2005, from http://www.historychannel.com/thcsearch/thc_resourcedetail.do?encyc_id=216967.

The Greatest Films. (2005). Citizen Kane (1941). Retrieved May 11, 2005, from http://www.filmsite.org/citi.html.

Internet Movie Database. (2005). Gone With the Wind (1939). Retrieved May 11, 2005, from http://www.imdb.com/title/tt0031381/photogallery-ss-0.

Internet Movie Database. (2005). King Kong (1933). Retrieved May 11, 2005, from http://www.imdb.com/title/tt0024216/.

Internet Movie Database. (2005). Snow White and the Seven Dwarfs (1937). Retrieved May 11, 2005, http://www.imdb.com/title/tt0029583/.

Casablanca (1942). http://www.imdb.com/title/tt0034583/

Rebel Without a Cause (1955). http://www.imdb.com/title/tt0048545/

American History X Poster. Retrieved May 10, 2005, from: http://tinyurl.com/dtntq

Answers.com. Retrieved May 15, 2005, from: http://www.answers.com/topic/production-code.

Bullet Time. Retrieved May 15, 2005, from: http://en.wikipedia.org/wiki/Bullet-time.

Back to the Future Poster. Retrieved May 10, 2005, from: http://tinyurl.com/bffwf.

Black Hawk Down Poster. Retrieved May 10, 2005, from: http://tinyurl.com/bgs3u.

Breakfast at Tiffany’s Poster. Retrieved May 10, 2005, from: http://tinyurl.com/7a8eh.

Clockwork Orange Poster. Retrieved May 10, 2005, from: http://tinyurl.com/cgmbr.

DVD. Retrieved May 15, 2005, from: http://en.wikipedia.org/wiki/DVD.

Jaws Poster. Retreived May 10, 2005, from: http://tinyurl.com/7dtqd.

Production Code Poster. Retrieved May 15, 2005, from: http://www.oscars.org/mhl/sc/images/mpaa.jpg.

The History Channel. Retrieved May 15, 2005, from: http://historychannel.com.

 

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