ART OF THE AMERICAS-TCXG 377
Constructing a Usable Past: The European Presence

John Vanderlyn, Ariadne Asleep on the Isle of Naxos, 1809-12, oil on canvas, Pennsylvania Academy of the Fine Arts, Philadelphia, 68 ½ x 87"
Washington Allston, Elijah in the Desert, 1818, oil on canvas, Museum of Fine Arts, Boston, 48 3/4 x 72 ½”
Ebenezer Birrell, Good Friends, c. 1834, oil on canvas, Art Gallery of Hamilton, Ontario
Edward Hicks, Peaceable Kingdom, c. 1834, oil on canvas, National Gallery of Art, Washington, D.C.
Thomas Cole, The Architect’s Dream, 1840, oil on canvas, Toledo Museum of Art, Ohio, 53 x 84 1/16"
Asher B. Durand, Kindred Spirits, 1849, oil on canvas, Crystal Bridges Museum, Bentonville, Arkansas, 44 x 36"
George Caleb Bingham, Fur Traders Descending the Missouri, c. 1845, oil on canvas, Metropolitan Museum of Art, New York City
George Caleb Bingham, The County Election, 1851-52, oil on canvas, St. Louis Art Museum
Charles Willson Peale, The Artist in His Museum, 1822, oil on canvas, Pennsylvania Academy of Fine Arts, 103 3/4 x 79 7/8"
Emanuel Leutze, Washington Crossing the Delaware, 1851, oil on canvas, Metropolitan Museum of Art, New York City, 149 x 255"
Hiram Powers, The Greek Slave, 1843, marble, Corcoran Gallery of Art, Washington, DC, 65" h
Erastus Dow Palmer, The White Captive, 1859, marble, Metropolitan Museum of Art, 66" h
Harriet Hosmer, Zenobia, 1857-59, marble, Wadsworth Atheneum, Hartford, CT, 88" h
Harriet Hosmer at work on her statue of Senator Benton (clay model), c. 1861, albumen print
Edmonia Lewis, Forever Free, 1867, marble, Howard University, Washington, DC, 40 ½" h