Syllabus
Course
Objectives
By the
end of the quarter, you should have acquired a critical awareness of how
the U.S. mass media operate and a critical awareness of media content.
In particular, you should acquire:
-
an understanding
of the societal environment in which the media operate, with a particular
emphasis on economics, government/politics and culture. You should
be able to see how this broader environment shapes media content. Theme
1: Media content is shaped in part by external societal forces.
-
an understanding
of media production processes (media business practices, news-gathering
norms, objectivity, personnel, etc.) and their influence on content. Theme
2: Media content is shaped in part by the media's own production processes.
-
an overview of
key issues and problems in U.S. mass media today.
-
an overview of
the future of U.S. mass media. What can we expect in the next 5-15
years? How will these changes (often driven by technology or economics)
affect information? privacy?
In examining these
themes, we will focus on several broad areas:
-
key issues in contemporary
mass media, with an emphasis on economics, government-press relations and
broad cultural concerns,
-
media as businesses,
the nature of media competition, entertainment and news,
-
movies, television,
newspapers and the Internet.
By the end of the
quarter, you should be able to provide fairly sophisticated answers to
these (and other) questions:
· Why
does "Media Reality" differ from "Real Life" Reality? What are the factors
that create "Media Reality"? Who is at risk if Media Reality is perceived
as Reality?
· Are
the media liberal? Conservative? Objective?
· Why
would some maintain that the Super Bowl is the single most important TV
show of the entire year?
· What
are "reality" shows (e.g., Survivor, Fear Factor, Temptation Island)? Will
this format persist? Are they really about reality? Why have we had so
many of them in the past 2-3 years?
· Why
has a new genre of snows emerged (one hour soap/drama hybrids, such as
Ally McBeal, Buffy, Angel, Dawson's Creek)?
· Why
did the news media cover the Clinton-Lewinsky scandal as a lurid soap opera?
· Why
are the WB and UPN networks representative of U.S. television today?
· Are
the U.S. media really "free" and uncensored? if not, what are the constraints
on the information we get from the media? How well do media serve U.S.
democracy?
· Do
the U.S. media reflect the diversity of American life? If not, why not?
· How
has the rise of cable TV influenced the older networks (NBC, ABC and CBS)?
What has been the impact of cable television on television in general?
· Why
has there been so much controversy over Napster?
· Will
the Internet replace more traditional media (such as newspapers and books)?
Required
Texts
1. Weekly readings
Most of the
course readings are posted on the web page. The readings are a selection
of contemporary articles on mass media - including information on contemporary
movies, television, etc. These were selected to give you important up-to-date
information about media industries and issues.
Weekly reading
guides are posted, too, to help you with these readings.
2. Lecture Notes.
Full texts of each day's lectures will be posted before class. All material
in these notes are part of the required course reading, even if not covered
during class time.
3. William A.
Hachten. The Troubles of Journalism: A Critical Look at What's Right
and Wrong with the Press. Erlbaum, 2nd edition. Paperback. I picked
this book because it provides a good overview of key issues in journalism
today, particularly regarding news. This book is required; it is available
at the University Book Store.
The course web
page also includes other materials useful to you, including sample exams
and links to media web sites.
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Readings
and Lectures
Week 1.
April 1-5, 2002.
Introductions,
over-view on media effects, freedom of the press, ownership, media conglomerates.
Online Readings:
1) Journalists
Protest Zimbabwe Bill to Curb Media
2) Teen's
Violent Software Modifications Are Criticized by Child Advocates
3) Mergermania
2000: "There Can Only Be One!"
4) Vivendi
Chief Takes Steps With Two Deals
5) Murdoch's
Mean Machine
6) Media
Conglomerates
7) Puget
Sound Media
8) Hachten,
Chapter 3 "Freedom of the Press: Theory and Values" (pp29-43)
Week 2.
April 8-12, 2002.
Lectures will
focus on media ownership issues, movies.
Online Readings:
1)
Schizophrenia and "Beautiful Mind."
2)
From Math to Madness and Back
3) Hachten:
Chapter 5, "Bigger, Fewer and More Like-Minded" (pp. 57-75).
Week 3.
April 15-19, 2002.
Lectures will
focus on contemporary movies, Disney, gender images in movies.
Online Readings:
1)
Box Office Records Mask…
2)
In the Movies, Women Age Faster
3)
Why Did "The Majestic" Turn Into a Catastrophe?
4)
Harry Potter and the Coca-Cola Controversy
5)
The Toy War for Holiday Movies
6)
Harry Potter Merchandise!
7.-
Internet Film rentals alarm Hollywood
On Pressure
Groups:
7) 12 Reasons Not to See the Harry Potter Movie
8) Attacks on Disney
9)
One Million Moms
10) GLAAD
Optional but
recommended: The Top 50-Grossing Films of 2001
Week 4.
April 22-26, 2002. Exam #1 will be on Tuesday, April 23.
Lectures will focus
on contemporary movies, independent film, TV history.
Readings:
1.- AOL Gains Cable Rights in China by Omitting News, Sex and Violence
2.- Indie distribution face daunting
challenges
3.- South Korea:
freedom or love?
4.- Hollywood, remodeling the dream factory.
(Dizard, W. "Old Media, New Media"
3rd Edition, Addison W.L., 2000
pp. 130-139 and 144-149) PDF File
5.-
Asian Americans Are Rarely Seen on TV
Optional but
recommended (on web page):
1. Robert Redford's
Movie Heaven (to give you a sense of Sundance, one of the key independent
film festivals in the U.S.)
2.-
Film Festivals
(to give you an idea of
some of the independent film festivals in U.S.)
Other suggestions on Independent Film Makers:
1. Nancy Savoca is a great film-maker.
Household Saints, Dogfight
2. Pratibha Parmar. Warrior Marks was very good.
3. Kimberly Peirce. Boys Don't Cry
4. Julie Taymor. Frida (2002) not out yet. Titus (1999). Tempest(1986)
5. Mary Harron.American Psycho. I Shot Andy Warhol
6. Ulrike Ottinger. Joan of Arc of Mongolia is one of the best films
ever.
Exam
1: Tuesday, April 23..
Week 5.
April 29 - May 3, 2002.
Lectures will
focus on contemporary television.
Online Readings:
1.- ABC Cancels
a Planned Reality Show
2.- NBC to Show Playmates During Super Bowl
3.-
November Sweeps: Audiences Say Aye to Eye in Sweep
4.- Oxygen
Media
5.- NBC and the Family
Hour
6.- Television and Race,
2001
7.- NBC and Sports
Programming
8.- Reality TV
9.- CBS wins
week with youth movement
10.- NBC to allow liquor
ads
11.- TV Problems
for Fox and ABC
12.- At NBC, They've Left the Family Hour off the Clock
13.- MTV and Showtime Plan Cable Channel for Gay Viewers
Week 6.
May 6-10, 2002.
Lectures will
focus on contemporary television, legal limits on the press.
Online Readings
1.- Access Limits
Were an Error, Pentagon says
2.- In the War on
Terrorism, a Battle to Shape Public Opinion
3.- Military Is Putting Heavier Limits on Reporters' Access
4.- Pentagon Says It Will Remove Some Obstacles to Covering War
5.- Pentagon Readies Efforts to Sway Sentiment Abroad
6.- Revlon and soap opera
Optional but recommended:
7.- What the
Muslim World Is Watching - Al Jazeera
Week 7.
May 13-17, 2002 Exam #2 will be Tuesday, May 14.
Lectures will
focus on the ideal of a free press, definitions of news, external influences
on news
Readings: See
web page for on-line readings plus:
1.-
The Seattle Times At war
with the media Both sides claim bias in coverage of Middle East Hachten: Introduction (xv-xxviii),
Chapter 1, "Best News Media in the World?" (pp 1-13), Chapter 2, "Global
Impact of American Media," (pp. 14-28).
Exam
2. Tuesday, May 14.
Week 8.
May 20-24, 2002.
Lectures will
focus on news and politics, local news, race and news.
Readings:
Online reading:
1.-
News media Risk Big Losses to Cover War
2.- Many Are Using Internet to Seek Spiritual Aid
3.-Justices
Preserve Dirty Thoughts
4.- Hachten, Chapters
6,7,8,9 and 11 (pp. 76-125; 139-155)
Optional but recommended:
5.- No Quick Fix to Fighting Pornography on the Internet
6.- Another Go at
Kid Porn Law
Week 9.
May 27-30, 2002.
Lectures will
focus on the Internet and the future of communication.
Online readings
1.- The Search for Intelligent Life on the Internet
2.-Internet and Pornography
3.-
'You've Got Mail,' More and More, and Mostly, It Is Junk
4.- Many Are Using Internet to Seek Spiritual Aid
5.- The Internet's
Invisible Hand
6.- Web at 54%
7.- NBC Reaps
Profits by Shooting
9.- Hachten: Chapters
12 and 14 (pp. 156-167 and 181-188).
Optional but recommended:
E-mail after 30 years
Week 10.
June 3-7, 2002.
Lectures will
focus on new media.
Third
exam: Thursday, June 6, 2002.
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Grading
System
The class grade draws on exams, papers and discussion. How much you
do, and how well you perform in each assignment, will determine your grade.
You choose the amount of work you want to do;
you choose the grade you want to shoot for. The number of points you acquire
determines your grade (e.g., if you acquire 350 points, you get a 3.5;
if you acquire 150 points, you get a 1.5). There are three exams (each
worth 90 points, for a total of 270 points), two papers (each worth 50
points) and the discussion sections (worth 30 points). If you get the maximum
points available in each of these, you will get a 4.0.
There will also be 1 or 2 extra credit assignments offered, probably
worth 10 points each.
Exams. There will be three exams, each worth 90 points (total possible
from exams: 270).
Exam 1: 100 points. Date: Tuesday, April 23.
Exam 2: 100 points. Date: Tuesday, May 14.
Exam 3: 100 points. Date: Thursday, June 6, 2002.
There will be no early exams. Exams will be a combination of multiple
choice and matching. A sample exam will be available on the course web
page. Study guides will be available just before exams
There will be two papers (3-4 pages long), each worth 50 points.
There will be 30 points possible in discussion sections.
The extra credit options will be announced later. There will be at least
one, and perhaps two.
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Rules
of the Road
Lectures will
be posted on the course web page prior to class; attendance at lecture
is not required. When you attend, plan on participating in class
by listening or discussing when appropriate. Do not engage
in disruptive activity, which includes (but is not limited to) extensive
talking, reading a newspaper or magazine, using a phone. Disruptive
students will be expelled from the room. The UW Student Conduct Code specifies:
"An instructor has the authority to exclude a student from any class in
which the student is disorderly or disruptive. If the student persists
in the disorderly or disruptive conduct, the instructor should report the
matter to the dean of the school or college in which the student is enrolled."
Class will always
end by 3:10 p.m.; lecture will never go beyond that time. Wait until 3:10
p.m. to prepare to leave the room. Do not start your preparations at 3:05
or you will miss the summary points in the lecture and you will disrupt
others.
If
you find that you cannot adhere to these policies, you will want to find
another course this quarter.
Changing your
section: Only official changes, through the registrar, will be allowed.
This policy avoids a great deal of confusion and ultimately protects students
by (a) keeping your records in one place and (b) keeping discussion section
sizes uniform.
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The
Instructor
Gerald J. Baldasty.
I attended UW as an undergrad, majoring in Communications. As a college
student and new graduate, I worked for my hometown newspaper (the Spokesman-Review)
and for the Portland Oregonian. I earned a master's degree in Journalism
at the University of Wisconsin-Madison and returned to UW for my Ph.D.
I've been on the UW faculty since 1978. I teach courses on media
history, on gender, race and media and on research methods.
My research interests include (a) media economics (b) media, race and gender
and (c) the ideology of news. My publications include two books:
The
Commercialization of News in the Nineteenth Century (1992) and
E.W.
Scripps and the Business of Newspapers (1999).
My chief
goal in this course is to help you develop a critical awareness of the
mass media. I want you to understand how the media operate (production,
news process) and to recognize that media content is socially constructed
(meaning: it does not mirror actual events in our society; it is usually
not real). I want you to leave this class at the end of the quarter
with improved critical viewing and reading skills. The chief question
in the student evaluations at the end of the quarter will be this:
Are you a more critical and aware media consumer than you were at the start
of the quarter?
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Teaching
Assistants
Maria Garrido (Lead TA)
migarrid@u.washington.edu
Sections
--> AB and AJ
Office Hours: W 11:30-12:30 Th 12:00-1:00 and by appointment CMU
Room 241
Irina Gendelman
irinag@u.washington.edu
Sections --> AA, AE, AH and AL
Office Hours: T 3:30-4:30 and Th 12:15-1:15 and by
appointment CMU Room 243
Hazel Lin
yclin@u.washington.edu
Sections --> AC, AF, AK and AN
Office Hours: M T 12:30-1:30 and by appointment CMU
Room 121
Kelly Aldrich
kaldrich@u.washington.edu
Sections
--> AG, AR, AM, AO
Office Hours: W 1:30-3:20 and by appointment CMU Room 241
Nicole Kim
yjkim121@u.washington.edu
Sections
--> AD, AI, AQ, AP
Office Hours: T TH 11:30 -12:30 and by appointment
CMU Room 251
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