But nobody
moved, nobody spoke, nobody even thought to swallow spit until after
her gate slammed behind her. Pearl Stone opened her mouth and laughed read hard because she didn’t know what else to do. She fell all over Mrs.Sumpkins while she laughed. Mrs.Sumpkins snorted violently and sucked her teeth. “Humph! Y’all let her worry yuh. You ain’t like me. Ah ain’t got her to study ‘bout. If she ain’t got manners enough to stop and let folks know how she been makin’ out, let her g’wan!” “She ain’t even worth talkin’ after,” Lulu Moss drawled through her nose. “She sits high, but she looks low. Dat’s what Ah say ‘bout dese ole women runnin’ after young boys.” Pheoby Watson hitched her rocking chair forward before she spoke. “Well, nobody don’t know if it’s anything to tell or not. Me, Ah’m her best friend and Ah don’t know.” “Maybe us don’t know into things lak you do, but we all know how she went ‘way from here and us sho seen her come back. ‘Tain’t no use in your tryin’ to cloak no ole woman lak Janie Starks, Pheoby, friend or no friend.” “At dat she ain’t so ole as some of y’all dat’s talking.” ![]() “She’s way past forty to my knowledge, Pheoby.” “No more’n forty at de outside.” “She’s way too old for a boy like Tea Cake.” “Tea Cake ain’t been no boy for some time. He’s round thirty his ownself.” “Don’t keer what it was, she could stop and say a few words with us. She act like we done done something to her, “ Pearl Stone complained. “She de one been doin’ wrong.” “You mean, you mad ‘cause she didn’t stop and tell us all her business. Anyhow, what you ever know her to do so bad as y’all make out? The worst thing Ah ever knowed her to do was taking a few years offa her age and dat ain’t never harmed nobody. Y’all makes me tired. De way you talkin’ you’d think de folks in dis town didn’t do nothin’ in de bed ‘cept praise de Lawd. You have to ‘scuse me, ‘cause Ah’m bound to go take her some supper.” Pheoby stood up sharply. "Don't mind us, " Lulu smiled, "just go right ahead, us can mind yo' house for you till you git back. Mah supper is done. You bettah go see how she feel. You kin let de rest of us know." "Lawd, " Pearl agreed, "Ah done scorched-up dat lil meat and bread too long to talk about. Ah kin stay 'way from home long as Ah please. Mah husband ain't fussy." "Oh, er, Pheoby, if youse ready to go, Ah could walk over dere wid you, " Mrs.Sumpkins volunteered. "It's sort of duskin' down dark. De booger man might ketch ya." "Naw, Ah thank yuh. Nothin' couldn't ketch me dese few steps Ah'm goin'. Anyhow, mah husband tell me say no first class booger would have me. If she got anything to tell yuh, you'll hear it." Pheoby hurried off with a covered bowl in her hands. She left the porch pelting her back with questions. They hoped the answers were cruel and strange. When she arrived at the place, Pheoby Watson didn't go by the front door. She walked around the fence corner and went in the intimate gate with her heaping plate of mulatto rice. Janie must be round that side. |
"nobody moved" The fact that nobody moves until after Janie is on her own property behind her closed gate says something about the kind of power she has, not only in this community but also in general. Janie does what suits her and doesn’t allow herself to be controlled by what others think of her or wish her to do. It is this attitude that gives her so much personal power. Back to the Passage "her gate slammed behind her" Janie’s slamming gate and the sanctuary of her house can be looked at as a metaphor for her choice to cut herself off from the community. After Joe dies, many men try court Janie, but she will not hear of it, “six months of wearing black and not one suitor had ever gained the house porch” (91). Janie’s home is almost like a castle that no one can ever gain entry to, much like Janie is a person who can never be as intimate of member of the community as the others. Back to the Passage "Ah'm her best friend" This small passage demonstrates that Janie has at least one friend in her small community. Although she is an outsider to most, she is intimate with Pheoby just, as on the muck, she is not very good friends with the workers, but she is very close with Tea Cake. Back to the Passage "She' sits high but she looks low" This statement made by Lulu Moss foreshadows the class issue that comes up within the community. The community members see Janie’s courting and marrying of Tea Cake as her stepping out of her place in the class structure, a place they feel she put herself in. In a sense their gossip about her is punishment for stepping out of her place and it can also be thought of as punishment for what they consider uncontrolled sexuality. Janie could have married any of the men (her own age) from the community, but instead she chooses to be with someone who is about ten years younger than she it. It is for this reason that the community, the women especially, look down on Janie and criticize her behind her back. Back to the Passage "She could stop and say a few words" Here, the reader is again able to see the contrast between Janie and the community. It seems that Pearl Stone is expressing a desire for Janie to be a part of the intimate community group. When she says, “she act like we done done something’ to her…she de one been doin’ wrong” (3) there is a tone of hurt along with anger, as well as words of punishment for Janie’s “inappropriate” actions in terms of her relationship with Tea Cake. It’s as if Janie’s actions would be forgiven if she would just interact with the rest of the community. Back to the Passage "intimate gate" The intimate gate that Pheoby goes through when she takes Janie some food to eat can be contrasted with the slamming gate at the beginning of the passage. Although Janie’s house is like a castle sealed off from the community, there is still one small place where intimate friends and family can slip through to visit her and be a part of her life. This gate is symbolic of the fact that Janie is not entirely shut off from the community, she still has Pheoby, her one true friend in the Eatonville community. Back to the Passage Back to the Top |
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